“Illuminating… engrossing… powerful.” Kirkus Reviews
My thanks to Kirkus Reviews for the thoughtful review of Never Turn Your Back on the Tide!
In this memoir, a writer chronicles his experiences during the AIDS crisis and his husband’s double life, revealing multiple affairs.
Edwards-Stout sets the tone of this book by sharing the story of reading his “civil-union” husband’s email in 2001 only to discover that he was planning to leave him for someone else. Readers will expect the sordid tale of this philandering husband, whom the author refers to as “Eyes,” to follow this opening scene. But the audience must wait for further revelations about Eyes. Instead, the author spends the first half of the memoir recounting growing up in Southern California as a gay man in the 1970s and trying to break into acting in Hollywood after dabbling in theater at UCLA. Telling tales of hobnobbing with stars from that period like Loni Anderson, Jennifer Beals, and Darren McGavin, Edwards-Stout also recounts meeting actors like Mariska Hargitay and Jack Black before they became famous. The author later turned into an activist, working for AIDS Project Los Angeles during the height of the health disaster. The chapters about caring for his lover Shane as he died from the disease in 1995 are the most poignant parts of the work. Edwards-Stout peppers his story with various “Life Lessons” he has picked up throughout his journey that also deftly display his sense of humor. For example: “Never underestimate the impact that walking into a gym shower, only to witness a former boss shaving his balls, can have.” The second part of the engrossing memoir finally divulges Eyes’ outrageous indiscretions: multiple affairs that had him switching out his wedding ring as well as fabricating chemotherapy treatments. The author actually offers two illuminating books here: the moving story of being a gay man in Los Angeles during the AIDS catastrophe and the shocking litany of betrayals by his husband, the father of their adopted son.
This powerful work mixes an AIDS account with a history of a spouse’s scandalous behavior.