Accompanying a recent Huffington Post article I wrote was a photo of my family, taken by Sara + Ryan Photography. That one photo resulted in so many terrific comments and queries from readers about the duo’s work, which is primarily focused on LGBT families, that I thought it would be fun to learn more about them and their journey to their photographic specialty. Both were happy to share how they became straight allies for LGBT equality and to specialize in photographing our unique community.
Given that you are both straight, how did you come to specialize in photographing LGBT families?
Sara: My sister is gay, as well as my best friend, and both have long term partners, but we didn’t necessarily intend to specialize in LGBT families and couples, though we always knew we would be open to it. With both of these couples, however, we found that neither had ever had professional photos taken, until our sessions with them, as they felt it might be awkward to get pictures taken at a portrait studio.
So they felt more comfortable, given your relationship?
Sara: Yes, because they knew that we were completely comfortable with them being themselves. After that, we started getting a lot of referrals. Of course, we still photograph straight families as well, but most of our clientele is now in the LGBT community.
Ryan: We talked to a lot of same-sex couples who’d had previous experiences, where photographers had assured that they had experience photographing same-sex couples, only to feel that the photographer was a bit uneasy during the shoot, whether being uncomfortable personally, or in attempting to pose the couple as a traditional straight couple might be. (more…)
Actor/playwright Steven Fales first came to my attention with his groundbreaking solo play, Confessions of a Mormon Boy, which was a hit off-Broadway and in cities around the world. The play chronicles Fales’ heartbreaking journey from being a devoted sixth-generation Mormon and father of two, to coming out as gay and being excommunicated from his church. Along the way, he also details his painful divorce, a long-fought battle with drugs and alcohol, a stint in prostitution, to finally coming out the other side as an out and proud gay dad.
Intrigued by his story, I asked him to perform his play at Church of the Foothills, the progressive church I attend in the middle of conservative Orange County, California. Getting to know Steven and his life story, it became clear that no one play could accurately communicate his entire life’s journey, so I wasn’t surprised to learn of his creation of two new solo plays, Missionary Position and Prodigal Dad, which complement his first.
Missionary Position was based on Fales’ journals and follows his Mormon mission to Portugal, while Prodigal Dad explores the link between parent and child, and how tenuous, yet intrinsic, that bond can be. My partner Russ and I had the pleasure of having Fales read us an early draft of Prodigal Dad in our living room, and I can’t wait to see it fully realized on stage.
For the first time ever, Fales will be performing these three plays in repertory at Los Angeles’ Hudson Guild Theatre, in preparation for an off-Broadway run. He graciously took time to share with me more about these plays, his life, and his continuing journey as a gay father.
Kergan Edwards-Stout: When you first wrote Confessions of a Mormon Boy, did you ever envision you’d eventually have a series of plays, all based on your life?
Steven Fales: Heck no! I thought Confessions of a Mormon Boy was going to be it. But then life continued to unfold. And as I got more courageous in telling more and more of my truth, I knew I had to write the others. Although Missionary Position has certainly become a big crowd pleaser, Prodigal Dad is where my heart and soul resides. Bottom-line, I’m a dad. And I was always meant to be a dad. My work honors all prodigal parents who have come home to who they really are.
Edwards-Stout: What led you to write Confessions of Mormon Boy in the first place?
Fales: Well, at the time, I was being excommunicated in a formal church court for the practice of homosexuality. After all of the reparative therapy I had undergone, and all the sacrifice and service to the church and my family, I found it all so fantastical and barbaric. It was clear that someone needed to write this.
Edwards-Stout: That person ended up being you–
Fales: I mean, Mormons excommunicate you with a smile! But I also realized that I was afraid, if I were to suddenly die, my children would not know who their father was. If I didn’t tell my own story, no one else would.
Edwards-Stout: But you have relationships, of varying degree, to very prominent Mormons who are also writers, correct? Your mother-in-law, Carol Lynn Pearson, wrote Good-bye, I Love You, and your ex-wife, Emily Pearson, wrote Dancing with Crazy. Both of them are memoirs about their personal experiences of marrying gay men, their faith, and other themes which connect with yours. Were you concerned about how they would tell your story?
Fales: No matter how great our divas are, they will never be able to tell our own stories with the honesty and passion that we can. I also didn’t want my story white-washed by women who seem to be pro-gay, but are actually pro-gay for pay. They have built an empire on gay Mormon memoir. And neither of them is gay…and barely even Mormon.